Loading
Advertise With Us | Contact Us | Write for Us | Where To Find Musiqtone.com
Twitter
Facebook

Thursday, November 21st
The Critics Corner: Albums
Erin McCarley
Erin McCarley- Love, Save The Empty
Newcomer makes breezy, powerful debut
Erin McCarley
Name: "Love, Save The Empty "
Label: Universal
Release Date: January 6, 2008
My rating: 4.6/5


Review written by: Alan Ho
What happens when you take the acoustic base from Scottish singer-songwriter KT Tunstall and merge them with the breeziness of Sheryl Crow, the frankness of Regina Spektor and the subtle crackling grit of Vanessa Carlton and Sara Bareilles? That would be in the form of yet another emerging singer-songwriter from the state of Texas, Erin McCarley and expect to hear all mentioned in her major label debut, 'Love, Save The Empty' (Universal). The emerging star-in-the-making has already made her mark known on TV with her music being featured on ABC Family powerhouse 'Kyle XY' and the equally ABC powerhouse drama 'Grey's Anatomy'.

Many critics liken Erin to Sara Bareilles, Fiona Apple, or Sheryl Crow, but I believe she does have all their influences in her music, but she might be the American answer to KT Tunstall and also competition to fellow American Anna Nalick, who crafts similar fare on her albums. Both share the need to be powerfully honest without really rubbing it in your face and both pen lyrics that speak not to just your face, but your soul. But McCarley also fuses in a heavy helping of electronica, which probably will end up setting her apart from the glut of acoustic singer-songwriters.

The album begins with the obviously radio-friendly 'Pony (It's OK)'. The song almost sounds and crafted similar to Sara Bareilles' 'Love Song' but with a more subtle edge and bite. The next song I'm going to need help with...'Blue Suitcase' seems to be sampling a well-known Motown song's refrain tune's 2-3 bars throughout the song. 'Sticky-Sweet' is a rather playful number, almost something you could dance to or at least move your foot to and the song style is very similar to KT Tunstall, with the lower register of McCarley's voice dominating throughout to a point where you almost think its KT singing. The horn section gives the song a nice touch and keeps the song from being a standard pop song.

'Lovesick Mistake' is a shockingly honest portrait about someone getting over exactly over the song title. The whole song crackles with a subtle power and it's hard to believe someone so young could write a song like this. This song will grab at you from the start to the end.

The second half of the album sees McCarley coming out of the acoustic pop/rock shell and she starts to truly merge it with other musical landscapes such as 'Hello/Goodbye'. The song begins with an almost pitter-patter syncopation accompanied by a string section and the lilting harp which then transitions into a catchy melodic electric guitar and drum-driven refrain. And speaking of pitter-patter, 'Pitter-Pat' is definitely a key track one must listen to. Anyone can write a breakup song, but most choose to title it in obvious ways, but McCarley not only chose to title it as the sound of a heartbeat, but also use a bass drum in the percussion section to simulate the heartbeat of someone who is picking up their lives after a breakup. The lyrics in the song have a subtle power to them thanks to Erin's voice never really soaring above the song or going below the song. She is very introspect in that regard, almost right out of Sheryl Crow's playbook.

'Sleepwalking' is a very interesting track on the album. Wish it would be a bit closer to the beginning of the album...the song has an action movie-type beginning but then transitions into themes many opening numbers from the James Bond movie series have with the drum groove and the rolling guitar strings. 'Bobble Head' has a surf feel to it, almost something one would be playing during a road trip driving on the 5 in California (That would be Interstate 5 for those who don't know).

The album overall is a must-listen to kick off 2009. Even though the album has been out in digital form since last December, physical copies did not come out till January 6. Yes, she joins a long list of young female singer-songwriters that have cluttered the landscape but like Arden Kaywin, Erin has managed to find a way to perhaps catapult herself a cloth above the rest and it is very obvious she does that in the second half of the album when she gets away from pure acoustic pop/rock and starts to explore other sounds and musical landscapes. But don't get me wrong, the first half was good as well because despite the fact the lyrics are a bit darker for the genre, she injects a kind of energy and crackle you wouldn't expect from subtle dark themes.





Cristina CarrazzaAlan Ho is the chief head at Musiqtone.com. You can contact her at alanho@musiqtone.com or fill out this feedback form below.
Give feedback!
Your first name:


Your last name:


Gender



Date of Birth



City


State or Country


Zip Code


E-mail Address:


Put your feedback!



Albums
Concerts
Pop/rockers and duo of openers bring down the house in the Windy City

Guest reviewer Becca Rosano was front & center at the Here Comes Trouble tour as it rolled into Chicago's House of Blues.

Popular pop/rock trio raises the roof in NYC


Melissa was front & center at the Honor Society show at NYCs Fillmore at Irving Plaza.

First major tour begins with a bang in Wisconsin

Amy checks out the first major tour of the year as Ludo & This Providence hit Milwaukee, WI.

Indie/underground alt-rockers wow hometown crowd

Atheena goes almost 8 hours west to Lincoln, NE to check out their hometown band's show.

The Veronicas makes rousing return to the US

The Australian twins made a loud return to the US and Cristina was there to see it all.

Copeland/Lovedrug @ Boston

Amanda reviews the Boston tour stop for Copeland, Lights, Lydia and Lovedrug.

More concert reviews


Hosted by Dream Network LLC 

Flash player is needed for the Musiqplayer for audio and video.  
Musiqtone is hosted by Dreamhost LLC.

© 2002-2012 Musiqtone. All Rights Reserved. All content the property of Musiqtone and its partners/contrbutors.

Free website monitoring service